An afternoon with the actress talking Hunger Games auditions and working with Renée Zellweger.
The internet has made a certain correlation in the past decade and three quarters: Jane Levy and horror flicks are a match made in gore heaven. “It’s in part because of my athleticism,” she surmises as to why she keeps getting cast for the genre. “Final girls are sort of warriors, and I think I have a really good scream.” But despite all of this, Levy still has pretty diverse (and impressive) IMDb credits. She landed her first gig in Suburgatory in a very serendipitous fashion (more on that below), simultaneously had a recurring role in Shameless, and on top of racking up double-digit film and TV credits in the horror-thriller category—her most recent alongside Renée Zellweger in Netflix’s What/If—she was just confirmed to star as the lead in NBC’s new musical drama, Zoey’s Extraordinary Playlist. We sat down to chat with Levy about the audition that started it all and the audition that didn’t work out but made a hell of a good story, and what it was like to work with Renée Zellweger.
On how her first role came from a series of perfect events:
“I was 18 and I had just finished a year of college in Maryland, where I was playing soccer. I was a serious jock, working out twice a day. I wasn’t really passionate about my studies, and I just didn’t feel excited to be at school. I thought, When was the last time I did something that really interests me? And that was when I was onstage. I remember feeling that was the most at home I’ve ever felt while doing something. I told my parents that I was dropping out of college, and they were surprised and scared for me, but they were supportive. I auditioned for theater school in New York and did that for two years and then moved to L.A. right as I graduated.
“[Suburgatory] was the first time I ever auditioned—the stars were aligned; something was happening in my favor. I had a general meeting with ABC, and I showed up, and the person who I was supposed to meet with wasn’t there. So some other executive was like, ‘Hey, sorry about that. Why don’t you come into my office and talk to me?’ I sat down—was wearing Frye boots and a ’90s dress that I bought thrift in New York. [Laughs] And she was like, ‘You know, you actually look right for this part, for this pilot we’re developing called Suburgatory.’ She had me read the script right then and there. She put me in touch with the creator, and I ended up getting that job.” Continue reading »